Completely Conspicuous 535: Built to Last

I'm joined by guest Phil Stacey as we discuss the final Grateful Dead studio album Built to Last. Listen to the episode below or download directly.


Show notes:
- Recorded via Zoom
- Built to Last released on Halloween 1989
- Jay had just graduated from college, Phil was a junior
- Jay: Don't remember this album even coming out
- Phil: It's not memorable
- Felt like band was going through the motions
- Brent Mydland dominated the album with four songs
- He was suffering from depression; died a year later
- Maybe Garcia and Weir didn't have enough good material
- Fall '89 Dead shows are considered the band's last great run of concerts
- Tried the same recording technique as previous album but it didn't work
- Garcia said Mydland's songs were better
- Final song is really bad
- Phil: They had enough material to record another album
- You can find version of them online
- Garcia started getting into drugs again
- Concert performances suffered
- Band members started doing other projects
- A couple of decent songs on this album
- Mydland songs seemed like they'd fit in a different genre
- Phil: He was good in concert
- The Dead didn't need another hit album
- Jay: At the end of this journey, have more of an appreciation for the Dead
- Definitely some bad records
- Can appreciate the live performances to a point
- Jay: I respect the fanaticism of Deadheads; not for me, but that's okay
- No more guilty pleasures; you like what you like

Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review!

The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Completely Conspicuous 534: In the Dark

I'm joined by guest Phil Stacey as we discuss the Grateful Dead album In the Dark. Listen to the episode below or download directly.


Show notes:
- Recorded via Zoom
- We originally planned to do this in early March, but then something happened
- In the Dark was released in July 1987, seven years after the last Dead studio album
- Phil had just graduated from high school, Jay was going into junior year of college
- The band had been playing the songs in concert for years
- Jerry Garcia had gone into a diabetic coma in '86
- Had to re-learn how to walk, talk, play guitar
- Band was renewed after his recovery
- CDs were just starting to get popular
- We both didn't get CD players until 1989
- First CDs: Phil's was 10,000 Maniacs, Jay's were Cult, the Who, Joe Jackson
- The Best of Steve Miller was a college staple in the '80s
- Recorded live in an empty theater
- "Touch of Grey" was all over MTV and rock radio that summer
- Very catchy single
- Phil: Album was breath of fresh air after two disappointing releases
- "Touch of Grey" resonated with Boomers as well as younger listeners
- New fans were known as "Touch heads" by veteran fans
- People were going to Dead shows for the scene, not the music
- Released videos for "Hell in a Bucket" and "Throwing Stones"
- The one clunker is sung by keyboardist Brent Mydland
- Jay: His vocals didn't seem to fit
- They ladled on the synths
- Phil: Mydland was good at harmonies
- Vocals sounded like Kenny Loggins or Bob Seger
- Phil: Listening to at least one album he hasn't heard every day
- "West LA Fadeaway" may have been inspired by Belushi
- Phil gives it a B+
- The success of "Touch of Grey" was so unexpected
- Next up: We talk about the last Dead studio album

Completely Conspicuous is available through Apple Podcasts and anywhere else you get podcasts. Subscribe and write a review!

The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Completely Conspicuous 526: Go to Heaven

I'm joined by guest Phil Stacey as we discuss the Grateful Dead album Go to Heaven. Listen to the episode below or download it directly.


Show notes:
- Recorded at CompCon world HQ
- The Dead transitioning into a new decade, the '80s
- Cover may have given fans the wrong idea
- Short outing at only 38 minutes
- One of the least favorite studio albums among Dead fans
- Phil: A real mish-mash
- Contractual obligation: Third studio album in four years
- AOR was getting big
- The Godchauxs were gone
- Brent Mydland brings a smooth Michael McDonald vibe that is off-putting
- Grateful Dead keyboard players : Spinal Tap drummers
- Some Dead classics on this album: Alabama Getaway, Althea
- Didn't make another studio album for seven years
- Jay might go see Dead & Co. with Phil at some point
- Phil: This is their second-worst album
- Lost Sailor doesn't work
- Three straight Weir/Barlow songs
- Saint of Circumstance could be an '80s sitcom theme song
- Bob Weir loves the short shorts
- Hey, we used to wear them, too
- Mickey Hart eventually got into world music
- Mydland's Easy to Love You could have been a pop hit
- Album ends with a rave-up cover of Don't Ease Me In
- Phil: In defense of U2's Zooropa
- When we next convene, we'll talk about late '80s Dead

Completely Conspicuous is available through Apple Podcasts and anywhere else you get podcasts. Subscribe and write a review!

The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Completely Conspicuous 525: Shakedown Street

I'm joined by guest Phil Stacey as we discuss the Grateful Dead album Shakedown Street. Listen to the episode below or download directly.


Show notes:
- Recorded at CompCon world HQ
- First ep of the new decade
- Shakedown Street came out in '78
- Lots of musical stuff happening: Disco, punk, new wave, hard rock
- Disco wasn't as bad as everyone made it out to be
- Jay: No guilty pleasures: If you like it, you like it
- The Dead were coming off a triumphant '77
- This was a contractually obligated studio album
- Lots of influences thrown in: Funk, disco, African jazz, rock
- Met with savage reviews
- The version of "Good Lovin'" here pales in comparison to the live version, especially when Pigpen sang it
- The last album with Donna and Keith Godchaux
- Title track gets slagged as bad disco, but we dig it
- Shakedown Street is now the name of the merch area at Dead & Co. shows
- Pressure was on from Clive Davis for them to have hits
- This album was produced by Lowell George of Little Feat
- Seen as a disco album, but it's pretty diverse musically
- The Dead weren't a great studio band
- Mickey Hart stepped up with three songs
- Phil: "I Need a Miracle" might be the best song on the album
- "Stagger Lee"  has an interesting history; versions were covered by many different artists
- Jay: The Nick Cave version is the best, and the most profane
- Album was scattered because of different influences plus substances
- "All New Minglewood Blues" is a pretty rockin' cover
- Dead appeared on SNL that year
- Ends with a Garcia-Hunter love ballad that works
- Jay: Liked about half the songs on the album
- Next: 1980's Go to Heaven

Completely Conspicuous is available through Apple Podcasts and anywhere else you get podcasts. Subscribe and write a review!

The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Completely Conspicuous 519: Cornell '77

I'm joined by guest Phil Stacey as we discuss the Grateful Dead bootleg Cornell '77. Listen to the episode below or download directly.


Show notes:
- Recorded at CompCon world HQ
- Talking about Dead show recorded on 5/8/77 at Cornell University
- Phil: Listened to this hundreds of times
- Jay: Very impressed by the bootleg
- Phil: The show was so random
- Dead had taken some time off from touring from '74 to '76
- By spring of '77, band was firing on all cylinders
- Phil's parents wouldn't let 8-year-old Phil see the Dead on that tour
- A lot of live albums are unnecessary
- But a great live recording is transcendent
- Phil: Early Chicago with Terry Kath on guitar was a great live act
- The Dylan and the Dead live album was a dud
- Phil Lesh: The Heineken Years
- Clapton's MTV Unplugged album was awful
- Jay: Solo Clapton is terrible
- Phil doesn't like Thin Lizzy
- The Dead has 36-minute versions of songs on their bootlegs
- Phil has around 125 Dead boots
- Figuring out which songs flow well into others
- Phil: The version of "Morning Dew" on this bootleg is the best
- Plenty of snow at that show, inside and outside
- Love when bands change up the setlist every night
- When you get sick of songs you love
- Somehow we start talking about "The Day After"
- AC/DC's music is more complicated than you think
- Phil would set his time machine to 5/8/77

Completely Conspicuous is available through Apple Podcasts and anywhere else you get podcasts. Subscribe and write a review!

The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Completely Conspicuous 518: Terrapin Station

I'm joined by guest Phil Stacey as we discuss the Grateful Dead's 1977 album Terrapin Station. Listen to the episode below or download directly.


Show notes:
- Recorded at CompCon world HQ
- The Dead's 9th studio album
- Band had signed with Clive Davis and Arista
- Album was produced by Keith Olsen, later known for slick AOR albums by Eddie Money, Rick Springfield, REO Speedwagon, Heart
- Phil: Would get a tattoo of the Terrapin cover
- Cover of "Dancing in the Streets" is pretty lame
- Live, the cover turns into a long jam (duh)
- Donna Godchaux was featured a lot on this record
- Side 2 is an side-long suite written by Hunter and Garcia
- Band didn't tour for this album after Mickey Hart got in a car accident
- The tour before this album was legendary for Dead fans
- Tried songs out live before they made it to studio recordings
- Side 1 closes out with a Donna G. song that sounds nothing like anything else the Dead has done
- The Godchaux marriage was splitting up while they were in the band
- Olsen erased Hart's drums on one song and replaced them with strings
- Lyrics on Terrapin Station are pretty dense
- Relatively short album for the Dead at 35 minutes
- Phil: These songs got better in the live setting
- Jay: A lot of filler on side 2
- Album feels like a contractual obligation
- Dead & Co. plays part of the title suite now
- Phil: Not a John Mayer fan, but he's a good guitarist
- Jay: Not a fan of this album
- Next: Cornell 5/8/77

Completely Conspicuous is available through Apple Podcasts and anywhere else you get podcasts. Subscribe and write a review!

The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Completely Conspicuous 513: Blues for Allah

I'm joined by guest Phil Stacey as we discuss the Grateful Dead's album Blues for Allah. Listen to the episode below or download directly.


Show notes:
- Recorded at CompCon world HQ
- The Dead's 7th studio album, came out in September 1975
- The band's highest-charting album until 1987
- Very non-commercial record
- Jay: The best thing about the album is the cover
- Moved in a much different direction from previous album
- Band had stopped touring after From the Mars Hotel
- Mickey Hart was back
- Also in 1975, Zeppelin had released Physical Graffiti, Talking Heads and Sex Pistols played their first shows, disco started hitting the charts
- Phil: Very sparse, subdued jazz-rock album
- Studio songs are blueprint, but they change after repeated live playings
- Dead fans were used to changing sounds
- The live show was the thing
- Commercial success was less important to the band and its fans
- Some songs on this album went on to become concert staples
- Not a lot of bands that have fans following them around the country: Phish, Afghan Whigs, Pearl Jam, Tragically Hip
- Album has a Middle Eastern feel; a few years later, they played in Egypt
- Jay: Liked the first few songs, then it started to meander
- Next album was live album Steal Your Face, which many fans didn't like
- Next we'll listen to Terrapin Station and Cornell '77
- Springsteen's live shows are long, but full of songs (as opposed to long jams)
- Phil just saw Apocalypse Now for the first time

Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review!

The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Completely Conspicuous 512: From the Mars Hotel

I'm joined by guest Phil Stacey as we discuss the Grateful Dead's album From the Mars Hotel. Listen to the episode below or download directly.


Show notes:
- Recorded at CompCon world HQ on the 13th birthday of the podcast
- The Dead's 7th studio album, came out in June 1974
- Watergate hearings were the big news story
- Beer was a lot cheaper back then
- In '74, there was a good variety of rock acts releasing important albums, plus funk
- Mars Hotel had some classic Dead songs
- Phil Lesh sang two songs, which was rare, and Bob Weir had one
- Garcia is in prime form on this record
- The Dead was touring with the "Wall of Sound," a massive "distortion-free" speaker setup
- Playing larger venues
- The cost was so high that they eventually quit touring for a few years
- Maybe the last great Dead studio album
- The Grateful Dead Movie was taken from the final shows of this tour
- Working out new songs in the live setting
- Rivalry between lyricists Robert Hunter and John Perry Barlow
- The Dead would play with guest musicians from time to time including Pete Townshend, Branford Marsalis, Santana, Huey Lewis
- The Dead probably got some airplay on FM rock radio in the '70s
- Rock radio has changed a tremendous amount over the years; it's mostly corporate, formatted now
- College and online stations have the most freedom
- Second-tier album in the discography
- Pretty representative of the Dead's sound
- Next: Blues for Allah

Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review!

The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Completely Conspicuous 506: Wake of the Flood

I'm joined by guest Phil Stacey as we discuss the Grateful Dead's album Wake of the Flood. Listen to the episode below or download directly.


Show notes:
- Recorded at CompCon world HQ
- Jay: Knew nothing about this album until recently
- First album on the Dead's own label
- New phase for the Dead: No Mickey Hart, the Godchauxs arrive, Pigpen had died
- Shades of jazz fusion
- Three years after their last studio album, American Beauty
- Material was well-honed in concert before making it to studio recording
- Horns featured throughout
- Phil: Live versions of these songs are better
- Two big shows with Allman Brothers and the Band that summer
- The rise of Frampton
- Nobody cares about live albums anymore
- "Stella Blue" is a standout track
- On the merits and demerits of Rush
- Back when AOR stations would play album sides
- Pulled back on the country influence of previous two albums
- No immediate "hits"
- Touring is one of the few ways bands can make money nowadays
- Ultimately, not one of their best, but a piece of the puzzle

Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review!

The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Completely Conspicuous 505: Europe '72

I'm joined by guest Phil Stacey as we discuss the Grateful Dead's live triple album Europe '72. Listen to the episode below or download directly.


Show notes:
- Recorded at CompCon world HQ
- Triple album documenting the Dead's European tour
- Displays new Americana sound
- Mickey Hart's gone, Keith and Donna Godchaux join
- Full tour was documented on a 73-CD box set
- Letting it all hang out at an Oregon show
- Garcia and Weir released solo albums this year
- The Dead's influenced ranged wide, eventually including members of punk/indie acts like Black Flag and Meat Puppets
- Greg Ginn, noted Deadhead
- The greatness of "Jack Straw"
- Later covered by eventual guest keyboardist Bruce Hornsby
- Grateful Dead keyboardists : Spinal Tap drummers
- "A long f-ing album"
- Unrelated: The Dirtbombs rule
- "China Cat Sunflower" sounds very different here than the original
- This is Peak Dead
- The band captured the communal live experience and attracted a huge following
- When you party too hard before the show
- Pigpen's last hurrah
- "Morning Dew" is stretched out to 10+ minutes of apocalyptic jam
- Tangent: Janelle Monae is great
- Variety is important
- No more guilty pleasures
- Waaaaaaay off topic
- The strange career of Robert Palmer
- Phil: Europe '72 is like comfort food
- Next up: Wake of the Flood

Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review!

The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Completely Conspicuous 504: American Beauty

I'm joined by guest Phil Stacey as we discuss the Grateful Dead's album American Beauty. Listen to the episode below or download directly.


Show notes:
- Recorded at CompCon world HQ
- Cover art could also be read as "American Reality"
- Also released in 1970; recorded a few months after Workingman's Dead came out
- Even more countrified, Americana-sounding
- Mickey Hart was on his way out, less involvement
- Featured on Freaks and Geeks episode where Lindsay gets into the Dead
- Half the album features "hits": Box of Rain, Friend of the Devil, Sugar Magnolia, Ripple, Truckin'
- Very low-key record
- Play Ripple at Phil's funeral
- On 50th birthday playlists
- Phil's idea for a playlist: 5 songs from every year of his life, no repeat artists
- Around this time, the Dead started really growing their fanbase
- Dead fans started following them on tour
- A lot of guests, including David Grisman
- This album isn't as dark as the previous one
- Another fairly concise record
- The Dead played the old Boston Tea Party club (now House of Blues) on New Year's Eve 1969
- The sound on this album is more timeless than the original acid-rock
- Jay: Just say no to DMB
- Phil: More into the Dead's music than the scene
- Truckin' is autobiographical, all about touring and getting hassled by the Man
- Ends the album on an upbeat note, with some ripping lead guitar
- Next up: Europe '72

Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review!

The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Completely Conspicuous 503: Workingman's Dead

I'm joined by guest Phil Stacey as we discuss the Grateful Dead's 1970 album Workingman's Dead. Listen to the episode below or download directly.


Show notes:
- Recorded at CompCon world HQ
- First show of the new year
- Workingman's Dead is the band's 4th studio album
- First of two releases in '70
- Recorded in nine days
- Stripped down sound, less psychedelic
- Garcia and Robert Hunter wrote the whole album
- Folk, country, Americana elements
- Rock was moving away from psychedelia, toward singer-songwriters and acoustic sounds
- Bookended by two of the band's biggest songs
- More of an emphasis on vocals like Crosby, Stills and Nash
- "Suite Judy Blue Eyes" as a torture device
- Phil: Prefer live Dead, but still break out the studio albums on occasion
- Warm sounding record
- "New Speedway Boogie" is about Altamont
- Recently covered by Courtney Barnett
- Hunter's solo releases are all over the place
- Jay: Only heard two songs before
- Fairly concise album; not much jamming
- Moved away from acid blues into a new direction
- "Easy Wind," sung by Pigpen, was the outlier
- Like the Entwistle song on a Who album
- "Casey Jones" evolved in an interesting way over the years
- Talking about cocaine
- Next up: American Beauty

Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review!

The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Completely Conspicuous 499: Live/Dead

I'm joined by guest Phil Stacey as we discuss the Grateful Dead's first official live album, Live/Dead. Listen to the episode below or download directly.


Show notes:
- Recorded at CompCon world HQ
- Live/Dead was released in 1969
- There weren't a lot of live albums released then
- The band did it as a make-good to the label after some poor-selling albums
- Recorded at the Fillmore West
- Songs evolved in live setting
- At the time, it was unusual to play extended jams
- Music fans really focused on albums back in the heyday of vinyl
- The first thing you hear on the album is 23-minute "Dark Star"
- Now for the tuning section
- Phil: Have listened to 250-300 Dead bootlegs
- Bootleg tape trading was huge in the '70s and '80s
- Archive.org, Nugs.net have tons of Dead shows
- On a lot of '70s-era live albums, bands went in and re-recorded songs or parts of songs
- Some bands perfectly recreate their studio sound
- "Death Don't Have No Mercy" is reminiscent of Zeppelin's "Since I've Been Loving You"
- When this album came out, FM radio was in a very experimental place
- Some stations would play album sides or even entire records
- "St. Stephen" is a standout
- Jay: I've been impressed so far
- Phil explains the Dead to his kids
- Seeing a dude doing coke off his dashboard at a Dead show

Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review!

The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Completely Conspicuous 498: Aoxomoxoa

I'm joined by guest Phil Stacey as we discuss the Grateful Dead's third album, Aoxomoxoa. Listen to the episode below or download directly.


Show notes:
- Recorded at CompCon world HQ
- Aoxomoxoa was released in 1969
- A big year for rock music
- Tons of legendary albums came out: Zeppelin, Who, Beatles, Neil Young, Stooges, MC5, Stones
- First two Dead albums were commercial failures
- Went way over budget in studio, stuck to their guns
- Very experimental sound
- Robert Hunter contributed lyrics to most of the album
- Songs featured eccentric characters, way out lyrics
- Plenty of drugs were part of the process
- The old West, the devil, the rose were recurring themes
- First album ever recorded using 16-track technology
- Band spent $180k on the album
- Jay: A lot to like about this album
- "Dupree's Diamond Blues" sounds like a Kinks song
- "What's Become of the Baby" is 8 minutes of weirdness that should have been left off album
- When bands release unnecessary hits compilations
- There was a definite '60s resurgence in the mid-80s that led to growth in popularity of the Dead at colleges
- And then jam bands really caught on: Phish, Allman Brothers, Blues Traveler, Widespread Panic
- Iconic Dead skull and lightning bolt logo was released in '69
- Phil: Band was very good at mobilizing fanbase
- Dead merch is so unique and well-known
- The confounding popularity of "Africa"
- "China Cat Sunflower" is a Dead classic
- Some songs evolve in concert, some don't get played at all
- Aoxomoxoa sounds like the Dead
- Jay: Jams can be fun, but you don't necessarily want to put them on a record
- We'll listen to more live stuff vs. studio albums going forward
- Next up: Live/Dead

Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review!

The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Completely Conspicuous 497: Anthem of the Sun

I'm joined by guest Phil Stacey as we discuss the Grateful Dead's second album, 1968's Anthem of the Sun. Listen to the episode below or download directly.


Show notes:
- Recorded at CompCon world HQ
- Anthem of the Sun was recorded in 1967, released in '68
- Very experimental, similar to Zappa's song splicing in the '70s
- Studio and live performances mixed together
- An early concept album
- Songs would evolve through the years in performance
- Robert Hunter makes his first appearance as a lyricist on this album
- Producer grew frustrated with the band and left during the recording
- The sound of "thick air"
- Triple kazoo attack
- The Dead must have been a shock to fans of bubblegum pop
- Live, the Dead mixed up their shows every night
- This album sounds more jammy, like you would expect a Dead album to sound
- A lot of covers of bluegrass, country, jug bands, blues
- Pearl Jam adopted the Dead practice of releasing official bootlegs of shows
- The Dead used to do more audience banter, but recent incarnations of the group just play with minimal talking
- Anthem of the Sun was the next step in the evolution of the band's sound
- Next up: Aoxomoxoa

Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review!

The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Completely Conspicuous 496: Dead Ahead

I'm joined by guest Phil Stacey as we dig into the catalog of the Grateful Dead, starting with the band's 1967 debut. Listen to the episode below or download directly.


Show notes:
- Recorded at CompCon world HQ
- Other podcasts have focused on catalogs of U2, R.E.M., Phish, The Tragically Hip
- Looking at the Dead album by album
- Phil's a tie-dyed in the wool Deadhead, Jay has only superficial knowledge of the band
- Phil: Got into the Dead in the mid-'80s, saw them live in '89
- Attracted by the musicianship, lyrics
- Live is where the band really shines
- Songs would be played live years before it showed up on an album
- Band's biggest hit, "Touch of Grey," was first played live in '82 but became a single five years later
- Self-titled debut has a different sound than the one they evolved into
- Recorded in four days
- Only got up to #73 on album charts
- Mostly covers of folk and jug band songs
- Band took a lot of speed during recording, which shows in the songs
- Garcia rips on guitar throughout
- Not too much jamming on record
- Psychedelic rock was starting to happen in general
- Live versions of these songs were much longer
- Most Dead shows were 2.5 to 3 hours
- Jay: Really liked "Cold Rain and Snow," "Viola Lee Blues"
- "Sitting on Top of the World" bears some resemblance to Allman Brothers
- Phil: Garcia was very prolific, always playing guitar
- Bob Weir gave up the short shorts for cargo pants
- John Mayer plays with Dead and Co. now
- Surviving Dead guys are in their 70s now
- Not your typical Dead album
- The band didn't like how it was recorded
- Next up: Anthem of the Sun

Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review!

The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.